Rights
We handle the rights for many of our books, and you can download our most recent Rights Guide.
Fehida
Fehida narrates how it is to live and die inside a ‘Ndrangheta feud.
I Suffer, Therefore We Are
Marco Rovelli narrates the disasters of the hyper-modern and neo-liberal civilization
Radio Magic
In and out the walls of that old cellar, the future sprinkles like a promise.
My Ex's Life (to my mind)
Accompanied by the caustic line of the illustrator Eliana Albertini, Gero Arnone stages a comic cruelty with a sharp pen and a surgical gaze.
This Is Not a Dinner Party
Alberto Prunetti tries to define the features of the working-class literature and traces its evolution.
Ghost Tracks
This is a novel about the illusion that beauty is the law that rules on everything, it’s about confusing art and real life, and about how our sorrow, but also our happiness, are caused by this misconception.
Don Quixote in Sicily
Roberto Mandracchia manages to play with the entire literature, to celebrate it, to have fun and make us enjoy.
Land Grabbing
Stefano Liberti produces an eye-witness account of how the increasing “financialization” of agriculture.
The Spy Season
The Spy Season is an exciting reportage written by drawing from direct sources, through meetings with the protagonists and from confidential documents.
Fubbàll
Local stories about when football had wings, fields were made of soil and dust, and numbers on the shirts went from 1 to 11.
The Flying Fortress
In this graphic novel, written by Lorenzo Palloni and illustrated by Miguel Vila, science fiction mingles with the historical novel
Fishing in the Deepest Pools
A book on the art of telling stories that only a great narrator could write.
Tullio and the Eolao Most Weirdest on the Canton Ticino
Rigiani reminds us that literature can be a happy and subversive sarabande.
The Armed Rose
A graphic novel about women who choose to get free by themselves
The Lords of Food
Major financial groups, multination agri-business corporations and merchant banks are investing billions of dollars into producing and marketing a type of food which will become more and more expensive for consumers, and consequently more and more profitable for sellers.
Something Smells Fishy
A mind game, an experiment, a literary jam session: Camilleri and Lucarelli, the most successful authors of crime fiction in Italy, join forces.
Route 106: Italy’s ’Ndrangheta Highway
Sixty-Five Miles of Blood, Death, and Organized Crime
My Fill of Happiness
An engaging story based on truth, a journey in the “Erasmus generation” and in a Europe which we considered the Europe of tomorrow and maybe it’s already the Europe of yesterday.
With The Taste of the World In My Mouth
Ten poets narrate their lives, their writing, the moment in which they recognized themselves as poets.
The First Life of Italo Orlando
The First Life of Italo Orlando is the first novel of a trilogy which will see the return of this fascinating character in three key moments of our national history.
Sicily Is an Island, So To Speak
A book of refined and irresistible comedy, a sharp narration of a beloved land, a curious and impertinent travel diary, a manual of instructions to set up and take apart the myth of the “sicilitude”.
As Before
A story that goes straight to the
aim. And it reminds us of the essentiality of life.
A City Dragonfly
Thirty rhyming stories by the author winner of the Strega Prize, Tiziano Scarpa.
The Antihistory of the Risorgimento
Only
someone like Luciano Bianciardi could make the bet that the Risorgimento could
be “a matter that engages and enthralls, and even amuses”.
Icarus
Being something between a novel, an autobiography and a reportage, this book narrates the end of a man, of an epoch, of a city.
The Country Where Nobody Dies
We are in Albania, country of dust and mud, at the time of dictatorship, but Ornella Vorpsi’s landscape is a literary territory par excellence: metaphoric, universal, a tragic compendium of women and human condition throughout the world.
Waiting For The Castaways
A novel of great intensity, in which love, friendship and death are narrated with a lyrical language, far from any mannerism